5 JULY 1851, Page 12

Mademoiselle Rachel continues to work her way through her old

reper- toire, and has not as yet touched a novelty. We need scarcely remind our readers that her Marie Stuart, in Lebrun's adaptation of Schiller's tra- gedy, belongs to the most remarkable of her performances. The tempo- rary triumph over the rival Queen gives room for all her force ; the dig- nified preparation for death allows her to display all her talent for refined elaboration.