Madame Jullienne, who made her debat at the Covent Garden
Opera in the Martiri, appeared on Tuesday in the part of Alice in Roberto ii Diavolo. Without making a great impression, she had what the French call a " succes d'estime." Though she was very far from realizing the lofty and poetical conception of the character which Jenny Lind taught the public to form, she looked it well, and her reading, as far as her powers went, was intelligent and just. But the effect of her singing was marred by overstraining:, and by the profusion of misplaced embellishments with which she disfigured her finest airs. The performance has not been re- peated, nor announced for repetition.
Nothing else of novelty or peculiarity has occurred this week at either of the Italian houses.