Critical Intelligence
DOROTHY TUTIN is poignant in one of those frequently unworded parts which Mr. Osborne composes so skilfully for young actresses.—Harold Hobson, Sun- day Times, April 14.
(THE PAR]'] . . . reinforces one's feeling that Mr. Osborne cannot yet write convincing lines for women. --Kenneth Tynan, Observer, April 14.
OSBERT LANCASTER'S Edwardian costumes and scenery are delicious.—Harold Hobson, Sunday Times, April i4.
OSBERT LANCASTER'S settings are literal and drab.— Kenneth Tynan, Observer. April 14.
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'MILDRED MAYNE is a confident Zuleika; which, of course, is what one wants her to be.—Harold Hobson, Sunday Times, April 14.
MILDRED MAYNE, is competent in a role for which competence is not enough. — Kenneth Tynan, Observer. April 14.