CONCERTS.
The Philharmonic concert of Monday was substantially composed of those materials which at these concerts are always found to be the most at- tractive and satisfactory,--two symphonies and three overtures of the great masters. The symphonies were MendeLssohn's in A major (which has got the name of the Italian Symphony") and Beethoven's in F: the overtures were Spohr's Jessonda, Mozart's Figaro, and Handers Esther. A peculiarly interesting feature of the concert was Bishop's cantata "The Departure from Paradise" ; a work, for melody, expression, and fine orchestral writing, worthy of the greatest composers of the age. It was written many years ago, for the Society, and improperly allowed by them to fall into neglect, though they have now redeemed their fault by its revival. It was beautifully sung by Miss Louisa Pyne, and received with an en- thusiasm that must have been gratifying to our celebrated countryman, -who, at the request of Mr. Costa, conducted the performance in person. Vieuxtemps played one of his own concertos ; showing himself to be, in various respects, the greatest violinist living. Sivori has more Italian smoothness, and Ernst perhaps more romantic sentiment ; but for force and energy, power of tone and marvellous execution none are comparable to Vieuxtemps. Notwithstanding the unusual length of the piece, which has the form and dimensions of a great symphony, it was listened to with unflagging attention and applause. The room was extremely crowded— scarcely even standing-room in any corner.
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