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COMPETITION
Come and gone
Jaspistos
IN COMPETITION NO. 1985 you were asked to imagine that Beckett added a last act to Waiting for Godot in which Godot arrives, converses with one or both of the two tramps, and leaves, and invited to sup- ply the ensuing dialogue.
There is only room for me to apologise for referring to Vladimir overfamiliarly as Didi (that was Estragon's exclusive privi- lege) and to give honourable mentions to Frank Upton, Adrian Fry, David Barton and Chas Garvey. The prizewinners, print- ed below, take £25 each, and the bonus bottle of Isle of Jura Single Malt Scotch whisky is Martin Woodhead's.
Vladimir Well, that was instructive.
Estragon: It passed the time.
V: It was not, perhaps, what we had expected. Not, you might say, what we had been after. E: Ah, but what had we been before?
V: Not, so to speak, a revelation. Very far from being a theophany.
E: Not even a bone to throw at a dog.
V: A little, wiry, wearish man, with spiky hair. I
remember that.
E: It was his glasses that brought me up short.
V: Spectacles have a strong moral effect.
Pause.
V: [Looking up at the tree] 'When the desire cometh.... ' Now who said that?
E: But to be declared redundant, after all that!
Given the boot!
V: [Looking at his own boots] Or not. To be told there was no use for us! E: I am dumbfounded!
V. At a loss!
E: Words fail me!
V: There are no more words.
(Martin Woodhead) Estragon: Did you hear the voice on him? It was music. I swear I'll never wash my ears again. Vladimir: That's not saying much. E: [Puzzled] How much do you want me to say? V: Just tell me what you think of him. E: You always want me to think and talk at the same time.
V: Very well. Think first, then speak. Estragon takes off his hat and hunches over, silently staring into it.
V: Well?
E: I don't think this is my hat. V: [Fiercely] I don't want to know what don't think, I want to know what you do. E: I don't do anything, you know that. V: That's a lie for a start. You smell. You do it you badly, but you do it.
E: That's it. I'm off.
V: You said it. What are you waiting for?
E: I might ask you the same question.
V: You're right. What are we waiting for? Let's
go.
They do not move. (W.J. Webster) Vladimir: Well, it was worth the wait, Gogo. Estragon: Fiddlesticks. The man's an impostor. V: [Dismayed] You think so? I thought he was
... inspiring.
E: Remember how we were fooled by that fel- low Pozzo? I shan't be fooled a second time. V: But the sun shone, and I think a bird very
possibly sang. There was joy, Gogo.
E: I shan't trust him until he delivers what he promised.
V: But he can't deliver unless you trust him. Silence.
E: I shan't trust him. He has an insincere smile. It's irritating.
V: He can't help his smile, Gogo.
E: Well, let him go and smile somewhere else. Mark my words, Didi — nothing much will change.
V: But everything feels changed. It's the end of an era. [A single, yellowed leaf falls on his head] A new beginning! (Peter Norman) Estragon: So he came?
Vladimir: He came.
E: And me asleep, and with my boots off! But he knew I had waited? You told him I had waited, didn't you?
I did. I pointed out your recumbent form and he remarked your laboured breathing. And what class of a person was he? Did he have a white beard?
He did not. To speak truthfully, he was more your caballine or chevaline kind of a being. He was on a horse?
Not as you would say on a horse; he ... he came in equine form. And behaved indeed with equinimity. He browsed the dew- pearled grass, broke wind under the tree there, and took his leave.
So now we are free?
Free as the wind. The world is our oyster. [Starts to put boots on] The world is my oys- ter, I shall not want.
We may go wheresoever we please.
Oh, the joy of it!
Ready, then?
[Standing up] Ready.. They do not move. (Noel Petty) Vladimir: So, here we are again.
Estragon: Again?
V: The same as yesterday. E: Yesterday. That rings a bell. [Pause] At least
it's not tomorrow.
It never is. [Pause] The landscape hasn't
changed.
Landscape? Come on, Gogo ... the joy of creation ... the sky. ... the trees.... There's only one tree. Perhaps it's the beginning of a forest. V: E: V: E: V: E: V: E: V: E: V: E: V: E: V: E: V:
E: Perhaps it's the end of one. [Pause] I was
expecting someone taller.
V: Who?
E: Your man ... Godot.
V: Not Pozzo?
E: No, Godot. He didn't seem to know much
about us.
V: Well, you offended him.
E: I didn't! Lousemerchant!
V: Nosebleeder! You might at least have
offered him some food.
E: What, his mystical body?
V: A turnip would have done.
E: What did he say, exactly?
V: It wasn't very clear. [Pause] That we were to
wait and then all would be well.
E: And him?
V: The same. [Pause] He's tied.
E: He's resting.
V: No, tied. [Pause] He's waiting.
E: He's dreaming. [Pause] Let's go.
V: We can't.
E: Why not?
V: Godot's waiting for us.
E: Ah! (Nicholas Hodgson)
No. 1988: Not the same news
You are invited to choose a recent newspa- per headline (please enclose it) and to write a story (maximum 120 words) under it which still fits the headline but provides incongruously different news. Entries to 'Competition No. 1988' by 19 June.