The recently concluded serial-readings from Dombey and Son suggeSt that
short stories, which could be completed in a single reading, might be even more effective. They are so obviously suited to the microphone that one wonders why they so seldom find their way into the programmes. " A. J. Alan " has made a 'name for himself solely'on the strength of his short stories for the wireless ; but his field is a very limited
.
one and much of his Success is due (as a study of the stories in print will reveal) tri a:Popular microphone manner. Some five or six years ago a series was broadcast called " Writers of To-day," during the Course of which'most successful modern short-story writers were to be heard in readings from their own work. I suggest that, in sonic farm . or another, the experiment is worth repeating, If poets are to be invited to send in their poems for broadcasting, why should not the invitation be extended to writers of the short story ? It is generally agreed that the modern short story (as represented by such authors as A. E. Coppard, Liam O'Flaherty, T F Powys, H. A. Manhood, &c.) is one of the most original contributions being made to contemporary literature. Why does the B.B.C. make such sparing use of it ?
* * * *
Previous page
